- #Dynacord Usb Audio Driver drivers
- #Dynacord Usb Audio Driver Pc
- #Dynacord Usb Audio Driver professional
Other presets include Echo/Reverb and Chorus/Reverb combinations, a variety of delay, flanger, chorus and doubling algorithms, as well as special reverb and delay programs.
#Dynacord Usb Audio Driver professional
The 100 program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments. Linear 24-bit AD/DA converters and 48-bit double-precision processing guarantee the finest studio quality based on state-of-the-art technology. The PowerMate has two integrated stereo multi-effects processors that work independently of one another, each offering 100 effects algorithms optimized for live performance, the most important parameters of which are editable. Professional Effects, OLED Display and Processing Menus The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch.
#Dynacord Usb Audio Driver Pc
The PowerMate also offers a fully-featured PC MIDI interface.
#Dynacord Usb Audio Driver drivers
It is configured by selecting the relevant setting in the menu.įor the use of the PowerMate with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included free-of-charge on the supplied DVD. for playback or interval music) or else for live- or studio-recording applications. This interface can therefore be used either for the input of audio signals (e.g. The USB 2.0 port serves as a digital audio interface between the PowerMate and a PC or Mac.įour channels can be transmitted in either direction simultaneously. during pauses, with only the 2TRACK-to-Master input remaining active for the playback of interval music.Ī 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp. The Standby switch mutes all channels e.g. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu. The display range covers 40 dB what is shown is the level in dBu at the master outputs. The level meters of the PowerMate comprise two LED chains of 12 LEDs each. The Master signal is also available on the REC Send cinch (RCA) output with level control. The Master B signal is available pre or post Master L/R fader and can be mono-summed if desired. The FX1 2 Returns as well as the AUX1 2 and MON1 2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation. The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice. In the Master Section, too, the PowerMate is lavishly equipped. Three-band tone controls are provided and a Balance control replaces the PAN control found in the mono channel strips. The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4 Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired. Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players. The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals. The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic.Īll potentiometers and faders are high-quality components from ALPS. MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal.Įach channel offers a Signal Present and Peak LED for level control. In all, 6 AUX busses are available:Ģ (FX) are assiged to the two effects sends Ģ (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section Ģ (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section. With its extended buss structure, the PowerMate-3 offers very flexible configuration options. Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix.
The switchable Lo Cut filter (80Hz, 18dB) serves to eliminate low-frequency noise. The Gain can be controlled in the range 0-60 dB. The Line Input and Channel Insert are implemented as jack sockets. The 48V phantom power for condenser microphones can be switched in groups of six. The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp.
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